There is agony and ecstasy in the creation of any artistic endeavour. In film making, joy and despair come together in post production.

My current work completing Amiri’s Child has certainly brought some highs, as the rough cut takes shape and promises to be a compelling piece of cinema. But there are some problem areas where the material is just not working.

In particular, the scenes between the young Arapeta and Miriama are not sufficiently developed. Whilst the scenes have been through a number of revisions already, more work is required if these sequences are to achieve their full impact.

So over the next few days, I will concentrate on re-writing the scenes, with the benefit of hindsight from the previous shoots and an overview of the entire project. I hope to set up a shooting session for later in January for these scenes.