The Official Blog for David Whittet's Motion Picture Trilogy

Drawing the audience into Amiri's Child

Kōkā’s curse sets the tone for Amiri’s Child

Early feedback from film festival judges on the final cut of Amiri & Aroha is proving overwhelmingly positive, particularly for the powerful new opening sequence, which sees Kōkā appear like a mirage out of the Rere falls, with a montage of images in the fiery cauldron of her crystal ball.

Amiri’s Child needs an equally compelling opening to draw audiences back into the story. As I want the films to be stand alone works in their own right, my challenge now is to create a compelling sequence that will both recapture audiences who have seen Amiri & Aroha and engage film goers new to the trilogy.

The dramatic beginning of Amiri’s Child sees a disheveled Kōkā emerge from the mists of Rere, desperately searching for her crystal ball, which has escaped her clutches in its quest to return to the waters of Rere and break Kōkā’s mystic curse.

Kōkā is reunited with her precious crystal ball: “My soul, my conscience, my heart!”