Kōkā sees a vision of the unborn Arapeta in the “overture” to Amiri’s Child.

Perhaps the most ground breaking aspect of the Amiri & Aroha trilogy will prove to be the striking overture that draws the audience into each of the films.

In Amiri & Aroha the overture featured the mysterious Kōkā discovering the crystal ball in the waters of Rere and a cauldron of images in the crystal ball. With Amiri's Child we follow the crystal ball's journey back to Rere and Kōkā’s infamous curse which exerts a powerful influence on the course of the trilogy.

In an age where we are bombarded with fast and furious images in the media, on television and the internet, it can be hard for the film maker to seize the audience's attention. Gone forever are the days when cinemas had overtures and intermissions. The overture played to the expectant cinema goers in a darkened auditorium.

Film makers in the digital age must find new ways to create atmosphere and captivate their audience. I hope that Amiri & Aroha will lead the way, demonstrating a powerful approach to achieving audience engagement!