HĪKOI BLOG
The official Blog for David Whittet's New Film

Hīkoi is more relevant than ever!

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Hīkoi becomes more relevant by the minute. Inspired by the child poverty debate in the run up to the last general election, my screenplay includes several real life events woven into the story: the 2014 minor party leaders debate, the Hīkoi of protest to end child poverty and the presentation of a petition with fifteen thousand signatures to the government.
In the film, a young Māori social worker strives to make a difference, taking risks to help a single mother hounded by loan sharks. He's enraged by empty promises from the politicians during the election campaign, all claiming that they care. Abandoned by his employer, alone and bereft of support, he takes the blame when everything crashes down around him. He drops out after losing his licence, forcing him to join cardboard city with his former clients.
With the extraordinary political developments in New Zealand over the last week, accompanied by some angry rants on social media, I have been working out how my protagonist would react to all of this. What would he be tweeting? Perhaps I need to update the script to include the latest events––or start work on the sequel as the original goes into production!

A "Cathy Come Home" for our times!

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Hīkoi
is a hard-hitting drama that addresses the most critical issues facing New Zealand society today: homelessness, child poverty and burnout in the under-resourced social workers who have to deal with the fallout.
For such an inspirational and relevant project, I hope to get funding from the New Zealand Film Commission and New Zealand on Air. I am currently pitching my screenplay to prospective production partners. An influential producer has enthusiastically described my script as a Cathy Come Home for our times.
It is immensely humbling to have my work compared to Ken Loach's groundbreaking film. Cathy Come Home gave rise to the Shelter movement, founded by a New Zealander, Des Wilson.
I would be delighted if Hīkoi could bring about such positive social change.

Farewell Sundance, Hello New Orleans!

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Farewell Sundance, Hello New Orleans!
With the feedback from the Table Read My Screenplay competition at Sundance fresh in my mind, I have just completed the rewrite of the Hīkoi script.
In this latest draft, I've concentrated on sharpening the dialogue and tightening the action, focusing the audience on Hīkoi's compelling message. I am confident that this thought-provoking story will resonate with cinema goers in New Zealand and beyond.
As the excitement of the Sundance competition begins to fade, anticipation mounts for the next Table Read My Screenplay at the New Orleans Film Festival in October 2017.
New Orleans is such a great city of music; it could be the ideal location to launch the Hīkoi music video!

Hīkoi at Sundance

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As the Hikoi music video nears completion, preproduction for the Hikoi feature film is underway.
I have had excellent feedback from the Table Read My Screenplay competition at the Sundance Film Festival. The prize of a teleconference with a Hollywood screenwriter has afforded the opportunity for me to work one to one with a leading professional on the next draft of the Hikoi script.
As we are in an election year in New Zealand, Hikoi is as topical as ever. Inspired by the multi-party leaders' debate in the run-up to the last General Election, Hikoi is a hard-hitting drama that deals with child poverty, deprivation and burnout among the professionals who attempt to deal with with the issue.
I am looking for a co-producer and hope to pitch for funding from the NZ Film Commission for a very relevant New Zealand story.
It would be great to see Hikoi in production before this year's election!

Postproduction on the Hikoi Music Video

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The Hikoi music video grows stronger with each successive edit. The raw images have a unique dramatic potency, which shines through even in the rough cut; a poignant visual poem that speaks eloquently for the underprivileged in our society.
As postproduction progresses, I have been working on the visual texture of the video, a gritty realism to reflect the hardship of life on the streets.
Feedback from early reviewers in the music industry has been invaluable, and I look forward to bringing you a preview before the video hits the international music festival circuit.